Born in 1986 to the Pacific Northwest, Jay’s body of work has developed into an eclectic sound world, and to date has compiled a catalog of compositions that includes chamber music, electronic and electro-acoustic works, solos, and symphonic pieces.
Jay’s music is written under the contention that the deepest structures, relationships, and mysteries of sound, music, and the world around us are not mutually exclusive. His music aims to unite seemingly contradictory ideas, forms, and concepts woven within a musical language that endeavors to blur the frame that surrounds the picture. Among his many influences are composers John Corigliano, Tan Dun, Aaron Jay Kernis, Witold Lutoslawski, and Claude Debussy, among others.
Jay completed his Bachelors of Music in Composition at Portland State University, and recently completed his Masters of Science in Music at PSU (graduating cum laude), during which he studied composition with renowned composers Bryan Johanson, Dr. Bonnie Miksch, and Dr. Brad Hanson.
Jay’s music has been performed all over Oregon. He’s received commissions from the Third Angle New Music Ensemble, the Contemporary Portland Orchestra Project (CPOP), Bus Stop Opera, and in collaborated with New York-based artist Scott Wayne Indiana on the “album in a day” project, where a full length CD of 12 tracks was written, rehearsed and recorded in 8 hours, all using musicians who have never met or played with each other before.
Jay’s music has been performed by Cascadia Composers, The Third Angle New Music Ensemble, Portland New Music Society, CPOP, Bus Stop Opera, Portland Classical Revolution, Portland State New Music Ensemble, and has had his music featured in the Monmouth New Music festival, Portland International Piano Festival, March Music Moderne, the College Music Society, and the Think Lincoln Concert Series.
He is actively involved in a number of new music groups in Portland and has recently joined the governing board of Cascadia Composers.